This movie is an adaptation of Gilbert and Sullivan's comic operetta of the same name, with parts of other of their operettas stirred in. Frederic has fallen in love with sweet innocent Mabel. Yet his vocation is an impediment to their union. Perhaps the situation can be rectified by his old nurse, Ruth, who made a dreadful blunder years before. A highlight is the song/dance A Policeman's Lot is Not a Happy One.
Kevin Kline (The Pirate King), Angela Lansbury (Ruth), Linda Ronstadt (Mabel Stanley), George Rose (Maj. Gen. Stanley), Rex Smith (Frederic), Tony Azito (Sergeant), David Hatton (Samuel), Stephen Hanan (Samuel (singing voice)), Anthony Arundell (Pirate), John Asquith (Pirate), Mohamed Aazzi (Pirate), Tim Bentinck (Pirate), Ross Davidson (Pirate), Mike Grady (Pirate), Simon Howe (Pirate), Tony Millan (Pirate), G.B. Zoot Money (Pirate), Andrew Paul (Pirate), Ken Leigh Rogers (Pirate), Mohamed Serhani (Pirate), Mike Walling (Pirate), Louise Gold (Edith Stanley), Alix Korey (Edith Stanley (singing voice) (as Alexandra Korey)), Teresa Codling (Kate Stanley), Marcie Shaw (Kate Stanley (singing voice)), Leni Harper (Daughter), Clare McIntyre (Daughter), Louise Papillon (Daughter), Tilly Vosburgh (Daughter), Nancy Wood (Daughter), Peppi Borza (Policeman), Nicolas Chagrin (Policeman), Frankie Cull (Policeman), David Hampshire (Policeman), Phillip Harrison (Policeman), Maurice Lane (Policeman), Neil McCaul (Policeman), Jerry Manley (Policeman), Rhys Nelson (Policeman), Garry Noakes (Policeman)...
History records that Gilbert and Sullivan were personally often at odds when producing their great comic operettas - no doubt that, if they are still monitoring this, they are surprised to find both their humour and their music - despite its limitations in both time and location - still has a great appeal to audiences throughout much of the world. The music of course is timeless, but music too evolves and many people today have no appreciation of the types of lyrics which G & S exploited so shamelessly. Perhaps the remarkable thing is the wide and continuing appeal of so many of their works. This film is a movie version of a 100th anniversary Broadway stage production of this operetta in New York. A review of previous comments show, not unexpectedly, that it has been adored by numerous G. & S. fans; but that its appeal to those who are not in this category is much more limited. They also make it clear that this is a very fine production; and it would be a serious omission if I did not re-emphasise it is almost a classical example of the way in which a major stage production should be presented on film, both to retain the best of the original production and to as fully as possible exploit the more fluid form of presentation that is possible on the screen.
To your reviewer who reports fears about wearing out her taped version, I would recommend doing what I have done and converting this to a VCD disk that she can play, almost for ever, on her DVD player. It is, I believe, a great film; and my wife and I have also viewed it repeatedly whenever we have been a little "blue", we never fail to feel cheered up afterwards. However we recognise that most members of the contemporary generation would not respond in this way, and that our appreciation will not even be understood by them. We remain thankful that minority tastes can still be satisfied without infringing on the perogatives of the majority, and that in the process of doing so the film will be seen by many who initially have little sympathy with the production, but who find that - as with so many of us in the older generation - they have come to appreciate both its music and its humour.
[as Major-General Stanley has just entered the scene, all except the Pirate King sing to the tune of "Pirate King"]
Samuel: For he is a Major General!
Daughters: He is, hurrah for the Major General!
Major General Stanley: And it is, it is a GLORIOUS thing to be a Major General.
All: IT IS! Hurrah for the Major General, hurrah for the Major General!
The Pirate King: That's the same as the "Pirate King" tune!
Star Kevin Kline won the 1981 Tony Award (New York City) for Best Actor in a Musical for "The Pirates of Penzance" Broadway 1981-1982 production and recreated his role in this cinema movie. It was Kline's second Tony Award after having won one for "On the Twentieth Century". Kline also starred in the precursor New York Central Park stage production and that park production's subsequent made-for-television filmed tele-feature The Pirates of Penzance (1980).
Os Piratas de Penzance (Brazil (cable TV title)) • The Pirates of Penzance or The Slave of Duty (UK (long title)) • Penzance kalózai (Hungary) • I pirati di Penzance (Italy) • Piraci z Penzance (Poland) • O Rei dos Piratas (Portugal) • Piratii din Penzance (Romania) • Пираты Пензенса (Soviet Union (Russian title)) • Korsanlar (Turkey (Turkish title)) • Pirates (USA (informal short title); World-wide (English title) (informal short title)) • Pirates of Penzance (USA (informal short title); World-wide (English title) (informal short title))
Australia:G / Portugal:M/6 / United Kingdom:U / United States:G
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